As a child of the 70’s and 1980’s, I developed a lifelong love affair with the low-budget movie, that oft reviled red-haired stepchild of legitimate filmmaking that is the providence of brain-eating zombies, women in prison, lusty Third Reich uber-vixxxens and Hollywood chainsaw hookers… Those craptacular midnight movies and exploitation classics that provided the raw material for drive-ins, grindhouses and late night cable television outlets, as well as creating masturbatory fodder for guinnea pigs, myself included, who hit puberty amidst this non-stop assault of celluloid decadence and delicious indecency! I was one of many Generation Xers, a casualty of the post-nuclear family, a radioactive offspring of well-meaning but distracted baby boomers who attended to their respective midlife crisis while we bathed in the loving glare of our TV’s cathode rays. And while June Cleaver was busy burning her bra, and Ward went off to start family number two, it was shows like Chiller Theater and Commander USA’s Groovie Movies that babysat me and my fellow forgotten, and filled our impressionable minds with non-stop images of nipply death and ill-conceived pandemonium.
The above picture is a sample of that b-movie aesthetic that I often strive for in my photography. I aspire to recreate the look and feel of sleazy pulp-fiction novel covers and exploitation movie posters, the kind of eye-raising imagery that titillates the imagination with promises lurid thrills and simple, goofy fun! It is also inspired by the Murdered by ROBOTS song “Dumpster Baby” which is featured on our self-titled debut album. To listen to the track or to download it for free, visit: https://soundcloud.com/#screaming-mime-theater/dumpsterbaby-m4a-2
Murdered by ROBOTS 